Almost all the classics you read in school today have been written by gamblers. Many things can become the muse of an artist. Mostly it’s the love of a woman. But love of gambling can also be inspiring, as history shows.

For example, Gotthold Ephraim Lessing, the symbol of German Enlightenment and author of well-known works such as “Nathan the Wise” or “Emilia Galotti”, fell prey to the gambling of skin and hair. He wrote important milestones on religion, reason and morality and visited the casino เว็บแทงบอล almost every night. As a “foreplay” he first went to the theater, where he usually did not endure it until the end of the piece and moved to the table prematurely. His contacts with the military are said to have brought him to the game. At that time, barracks were regarded as true game centers. Lessing described playing as liberating – a unique example of creative gambling addiction?

A generation later, ETA Hoffmann became the well-known representative of Romanticism. Even in his lifetime, he became a classic, but also split society into advocates and critics. It is known that his greatest passion was wine. He was regularly in his local pub with a glass to find. After that he should also have indulged in gambling. His narrative “Spielglück” describes the euphoric feeling in a game of hare. In a letter Hoffmann wrote that it would be good if not everything turned into a passion for him. He might have saved some money, but his writing skills would have been withheld from the world.

Even the two greatest figures in German literary history – namely Friedrich Schiller and Johann Wolfgang von Goethe – are not blank slips on the subject of gambling. Schiller had a great love for the card game and lived it, despite his conservative attitude to life, happy. The two lived at the same time and there was a close relationship between them. The rivalry could not harm the mutual respect for each other’s genius.

Although Schiller criticized Goethe’s wild marriage to Christiane Vulpius and in return condemned Goethe Schiller’s passion for gambling, but even Goethe himself tried his luck in the lottery. It was not about a large amount of money, but a property in Silesia, which could be won. Goethe covered himself with lottery tickets and seemed quite sure of his business. He even wrote to Schiller as he envisioned the future on his recovered estate. The anticipation and reveries lasted a few days until the bitter disappointment. The lot had decided differently and the greatest German writer went out of business. Goethe did not prove to be a good loser, but he left to posterity his poem “Der Schatzgräber”, in which he processed his disappointment with gambling.

Schiller did not share this disappointment. On the contrary, he saw the game as a larger philosophical sense in a person’s life. His most famous statement to every player: “Man plays only where he is in the full meaning of the word man, and he is only there completely human, where he plays.”